Sunday, 4 August 2013
Caravan
Charles is putting out his bin alone,
At ninety degrees,
He has his set square,
And protractor.
Sam is taking in her sin,
Revolving, endlessly,
Throwing out pieces of shit,
From centrafaecal forces,
Uncontrollable by her.
Supergods could give
A place to live,
In a caravan,
Clad with cloud,
With feta cheese,
And anchovies,
But history forbids,
She believes,
She wants to live,
In the real Scotland,
But cannot find it.
Charles has a map,
Can afford to take a nap,
And tolerates no crap.
But Sam has half a bottle left,
While of morals, she believes,
She is bereft,
But actually,
The structure does her good.
When she thinks about it,
It isn't Charles,
It's someone who should be closer,
You should have been a mother,
Twisted, bitter, loveless victim.
Supergods say
She's doing OK,
And Charles is alright,
Although crazy compulsive,
He's not filled with spite,
Regret, remorse,
Or resentment.
Come to think,
The caravan can go to Hell,
Along with you,
The supergods,
Are soon to come.
There never was an ounce,
Of motherly love,
Of affection,
And Sam had to deal with that,
Her whole damn life,
Wondering what was wrong with her,
Her mother the victor,
While Charles was exacting.
Supergods and
A mother,
Who never had the capacity,
To love her child,
While clouds and caravans,
Comforted,
The daughter alone.
Wednesday, 31 July 2013
One Million Meals
"What's it all about?"
He said,
That small voice,
About my ear.
"Memories,"
He said.
"My own voice?"
I asked,
"Imaginary?"
"I have no idea,
I'm like everyone else."
I hear a noise,
About my ear.
Light whirring,
Trapped wings,
Until vision locates...
...Eventually.
Enormous insect,
Trapped in a fine web,
Or in a dirty jar,
Bulging,
Struggling.
Tiny spider,
Compared to its prey,
But the insect
Could never,
Break free,
Free.
Too much to consume –
In a lifetime,
In a lifetime.
“What will we do now?”
I asked the arachnid,
When survival,
No longer,
Concerned us.
More jars,
More webs,
Or more flies,
Or suicide,
For lack of purpose.
Industry,
Or endless pleasure?
Procreate,
Or some other measure?
Nicer,
Bigger,
Better.
I reach down for stick,
Knock over the jar,
And poke, poke poke,
Poke at the web,
Destroying,
Frantic,
Frantic.
One fucked-up web,
One smashed jar,
One puny spider,
And puny me,
One million meals,
Destroyed,
Destroyed
As one big favour.
The Ballad of Ignatius Browne
Ignatius
Browne wore a curious frown,
After
taking up gainful employment in town,
But
soon he was living in moments of divine distraction,
In
a kitchen distinguished for its furious action.
He’d forget all about his cruel disfigurement,
The
way that his fingers would race through time,
He
dismissed all knowledge of mortal sentiment,
And
gradually all that he served was sublime.
One
evening following a faultless service,
He
pondered on what he found beautiful in life,
As
he strolled he heard music and saw ground-breaking art,
Felt
the warmth on his back and saw the face of a wife.
…and
a beautiful face…
…Which
would not a take a beating…
…Like
so many others provoked on first meeting…
But
taking a beating was just what she did.
Young
Browne was a coward though, and he hid,
From
the violent gang that killed his wife,
He
hid while they burnt, throttled and raped her,
And
hid when they stripped her and ripped her and taped her.
Till
one cold winter night long after that event,
By
the time that Browne lived out of a tent,
The
fiends returned and they got him too,
When
he shivered asleep,
He
was rudely awakened
By
an army of feet,
Which
stomped on his face,
While
his body they beat.
They
left him with nothing, all tatters and blood,
In
the ditch by a bush near a stream made of mud.
Till
a lone rider passing, looked down on hearing,
The
horrible noises which came from the clearing.
“Step
up,” said the stranger from on top his steer,
I’ll
house and nurse you, my home’s just down here.
Browne
with a nod and a grimace complied,
To
the farmhouse they went, to the devil they’d ride.
For
his saviour was not of the virtuous mind,
But
a slave to his pleasures, the unholiest kind,
He
travelled the land to seek out any poor,
Unfortunate
wretches he’d manage to lure.
On
waking, Ignatius, his nightmare he found,
Alone
on a table, all naked and bound,
His
body laid out, the unprepared meal,
To
be seared by the flame or cut by the steel.
As
minutes turned to hours and hours into days,
Ignatius
endured unimaginable ways,
Under
the beady, gleaming eye of his tormentor,
On
the surface he softened but beneath it he seethed,
And
his instinct got sharper as long as he breathed.
One
day faced with only his death or survival
His
hand found a blade and his pupil his rival,
His master came close and Browne took his
chance
And
speared his tormenter with cold makeshift lance.
But
before he escaped and ran into the night,
For
an hour he held the dead body in sight,
Blood
ran from his hands to the sounds of his cries,
As
he carved round the sockets and pulled out the eyes.
The
eyes he took with him, from then down the line
In
a jar, under arm, all pickled in brine.
He’d
watch them and listen to roaches at night,
And
only repose when the day became light.
To
survive through the day was his singular plan,
Hence
man became beast, and the beast was a man.
One
night near a ditch by a bush and a stream,
A
lady was lost and a person did scream.
They
found her alone in the light of the day,
Talking
forever but nothing to say.
She
spoke of a beast, burnt toe to head,
With
scars all bound up with sheep-guts and thread.
It
was bald on the crown and the skull was the feature
All
scarred and sucked in, it was Lucifer’s creature.
Ignatius
had heard her come singing through grass
And
thought it his wife come to get him at last.
He
rose and she jumped, he did her no wrong,
But
he’d never forget the melodious song.
Merely
to live was his function no longer,
As
desire for the song in him grew all the stronger.
Under
cover of darkness, on lolloped Browne,
Until
hearing a tune from the tavern in towne.
With
eyeballs in jar held firmly to chest,
He
burst through the door and we all know the rest.
He snatched
up the wench and then made for the pass,
And
that was the last that we e’er saw of the lass.
The
song turned to terror as he dragged her along,
And
all that Browne knew was that something was wrong.
To
the ground went the jar as her screams pierced his ears
And
he ripped out her tongue as her eyes poured with tears.
Nine
days he dragged her to cliff by the ocean,
Where
he threw down the body in one sweeping motion.
Then
felt his way down to a cave where he sat,
Crunching
on crabs and on spiders and bats.
In
the darkness he’d feign to make music with stones,
But
when none could be heard, he would crush his own bones.
Over
years as they’d mend they seemed to grow stronger,
And
his legs they grew long, and his arms they grew longer.
At
the mouth of his dwelling was a mountain of carcass,
Of
faeces and flesh which would stink in the darkness.
He
blocked up his nostrils with earth, leaves and sticks,
And
his head appeared smaller and his mouth it played tricks.
Now
those that go passing within a four hectare square
Would
do well to heed this and never go there.
Or
end up as one of the many he masters,
For
a man can move fast, but Ignatius moves faster.
Of
morals this ballad may offer up sone,
Such
as some take a beating and most more than one,
To receive
one is bad, but to give one is worse,
So
beware not to be one who dishes the first,
Or
it may simply be that to judge from afar,
Is
enough for your soul to end up in a jar.
Sunday, 28 July 2013
Posthumous Poetry
"What every body echoes or in silence passes by as true to-day may turn out to be falsehood to-morrow, mere smoke of opinion, which some had trusted for a cloud that would sprinkle fertilizing rain on their fields. What old people say you cannot do you try and find that you can.Old deeds for old people, and new deeds for new." - Thoreau, "Walden"
Posthumous Poetry.
Now that I am gone,
Reduced in density,
Read these words,
Weep incessantly,
Think of me,
Bathe in pain,
But quickly turn your head again.
Your payment due,
Relive the laughter,
Continue it on with another hereafter,
Channel the darkness into your art,
Be consoled that our souls are never to part.
Remember the joke,
The game,
The ludicrous,
Affirm inevitable turns in the conscience,
Do as you wish,
Don’t be afraid,
But take heed that the one standing next to you prayed.
Now scatter my memory far and wide,
Freed by truth, chained by pride,
My mortal thoughts lie here to save,
Transcend the coil and mock the grave.
Posthumous Poetry.
Now that I am gone,
Reduced in density,
Read these words,
Weep incessantly,
Think of me,
Bathe in pain,
But quickly turn your head again.
Your payment due,
Relive the laughter,
Continue it on with another hereafter,
Channel the darkness into your art,
Be consoled that our souls are never to part.
Remember the joke,
The game,
The ludicrous,
Affirm inevitable turns in the conscience,
Do as you wish,
Don’t be afraid,
But take heed that the one standing next to you prayed.
Now scatter my memory far and wide,
Freed by truth, chained by pride,
My mortal thoughts lie here to save,
Transcend the coil and mock the grave.
Mon Trou
The now infamous "Mon Trou" -
Je vais ramper dans un trou,
Et ne jamais sortir,
Je serai heureux,
Dans mon trou,
Si je me retrouve seul,
Je vais travailler là ,
Sans cesse,
Et être heureux,
Dans mon trou.
God Only Knows
God knows
I'm not perfect,
God knows
I've not grown,
God knows
What I won't,
God knows
I'm not alone.
Urge
I have this urge,
To send out all my love,
And put it to a good beat,
Or make it rhyme,
But it doesn't.
None of it rhymes
And the rhythm it has,
Sticks and irritates,
Itches and throbs.
I have this urge,
To spit and smoke,
Drink and toke,
Profane and prod,
But the more I do,
The further from God,
I remain.
None of it makes sense,
None of it is adequate,
None of it fits in
To the twelve-step antidote.
I have this urge,
That make me twitch,
I have the urge
And I think it makes me alive,
Makes me human.
But I am wrong.
The urge only makes me desperate,
Despair,
And long,
For what I can't have,
Or what isn't there,
Or what I can't get,
Or what is already lost,
What is hopeless,
Or comes at too high a cost.
Juxtaposition
“Oh Daddy, dearest Daddy, Daddio,
Your peepers are like a bird’s eye view of two champagne flutes,
With a woodlouse in each,
Kicking its little legs like some frantic brown submarine floating on custard.”
“I had a bacon sandwich at two, you know?
And at three I put the cat away in the chest freezer.”
“Oh, Mister!” she groaned,
“The winds of wisdom run through your veins. You’ve experienced life
And now your breath smells like the ocean,
And your hands are dead jellyfish,
Hovering over Death’s rank potion.”
“I like Whole Nut, but I’m not very keen on Fruit and Nut… you know?”
“Oh Sir,” she said, “never have I seen such an arm – one which has swept aside all enemies and bore horizontal against the head which braved such storms as none survived and yet drove on, on, and on forth, stooping through the razor rapid sands and the wicked slicing rain of misfortune.”
“A Pot Noodle would go well with that. It may seem that a Pot Noodle doesn’t really go with anything, but a Pot Noodle would probably go well with that. Perhaps you should just tip one over the top of the whole thing. You know?”
Door to Hell
first pub. July 31, 2012, Poetry24.
The Door to Hell is burning like resentment every day,
Consuming every promise, every tender word I say,
And still The Door remains ablaze, enticing me its way.
With purpose and conviction, the flames which never rest,
Consume the very passion to which they do attest,
With the purpose and conviction I never have possessed.
The burning cavern endless deep with 80-meter span,
In desert Karakum was formed and left to burn by man,
This Door to Hell so ghastly pure devouring all it can.
For twenty years and twenty more this blazing, torrid well,
Has lit the way to agony consuming me to tell,
That one day soon I’ll gladly pass through burning Door to Hell.
-
-
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This site has been temporarily disabled by The International Board of Poetry and Prose Commissioners due to its provocative content and the consistent "depth" and "brilliance" of work which has been judged to present the possibility of considerable harm to the mass of unprepared readers and society at large. The uncensored content is currently being catalogued in The Historic Annals of Poetic Genius, which will only be accessible to authorised members. This decision has been taken to protect the minds of those vulnerable to confusion and aggression under the influence of literary "genius" and has been taken in the interests of the general public at large.
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-
Anticipated Distraction
Anticipated Distraction
Look out over the Pass,
Christ just look out over the Pass,
So that The Battle may commence,
And the Fiend behind the Fiend,
May Cease to Exist.
-
Indifference
"Every blockhead who can jingle a few verses, neglects, in these enlightened days, the business for which he may happen to have been educated, for the purpose of following the idle and unprofitable trade of a poet... Some injudicious patron has... persuaded him that he is a genius: and, determined that his light shall be no longer hidden under a bushel, he prints and publishes. For the first volume, by dint of laborious personal application, he perhaps contrives to gather as many subscriptions (half-purchase-half-charity), as enable him to meet the expenses of his book. But before his second effort is ready, the wonder has ceased, and his volume attracts just as many readers as it deserves, and no more. Disappointment, of course, ensues: the genius considers himself a flower," - Anonymous reviewer, Literary Magnet (1827)
To us son,
When the day of judgement comes?
On the day of judgement?
What will us do
To us,
When us time has overrun?
When us time is spent.
Us sat upon a wounded knee,
And listened to a symphony,
Of all the men of straw and wood,
Hung from webs of neighbourhoods,
Whose mindless feet gave their excuse.
Protection masquerades as truth,
So raise us arms against the sun,
Us patrons of virtue.
Where will us go when he comes,
The fiend behind the fiend,
The fiend behind the -
How will us breathe when it turns,
When the wind changes
And the storm blows in.
Where will us look,
How will us look us in the eye,
After sitting pretty,
After us knocked us off the fence.
Lord, Throw These Chains
Dark times saw Pluto forge the way,
Shooting through temporal visions to conceive,
Burn the brass away to say,
Here I stand, man without leave.
I cut the Path and sow the seed,
Which existed somewhere before
My provident lead
Only pointed to the shore.
I exist, new things come my way,
I persist, tomorrow shall be The Day.
Tomorrow is The Day,
The Sweet Lord takes these chains from my feet,
Tomorrow is the Day,
My Sweet Lord and I shall meet.
Each new thing interpret and translate,
Each new sensation moulded to a golden arrow
Which pierces the skin of each untamed fate,
And chooses each elysian field to lie fallow.
Follow on, dear crowd,
One's confidence,
Knows no bounds,
Onward, we shall be led,
Onward, unto the Heavenly Sounds.
The order of personal anarchy may not conceive,
To get lost in the senses, abandoning intellect,
Transcending vulgar mimesis
And adding to the weave,
- But wait, now,
- What? The audacity!
- You overtake me?
- Turn me in while I give you advice?
Well, onward and tomorrow,
My Sweet Lord shall throw these binds from me,
These restrictions and constrictions,
Which, protecting no-one,
Tomorrow I shall be free of.
Tomorrow is The Day,
The Sweet Lord takes these chains from my feet,
Tomorrow is the Day,
My Sweet Lord and I shall meet.
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